Two Science-Art Philosophies – Utopia or Oblivion?


A warning to the reader: This article argues that present-day technological know-how has been going the wrong way, revealing the remedy to Steven Hawking’s remark that the best mistake humanity has ever made was to invent artificial intelligence. Correcting that mistake necessitates an updated familiarity with Buckminster Fuller and C P Snow’s 1/3 lifestyle. Human survival is set, and a new attitude toward combining Science and art is gained.

This new perspective does not constitute an assault upon technology; rather, it attracts interest to the crucial importance of Fuller and Snow’s synergistic Science-Art concepts. The attempt to place one’s ideas within the attitude related to the latest, essential clinical discoveries will permit more information on the character of the fact, especially relevant to carcinogenic growth and improvement.

The Feb-Mar 2016 trouble of Philosophy Now contained a piece of writing using Magdalena Scholle about how the logician Nietzsche stimulated Dali. Her commentary that Nietzsche’s first ebook, The Birth of Tragedy, deserves specific interest via art critics is now one of pivotal medical significance. Evidence demonstrates that Dali’s intuitive evaluation of Nietzsche’s Two Spirits of Artwork, as he identified it, blanketed one heart as an expression of an internal stereoscopic evolutionary phenomenon.

Scientists argued that Dali’s well-known obsession with what he referred to as “stereoscopic artwork” did not resonate directly with the visitors’ imagination and prescient. In 2003, asymmetrical electromagnetic 3-D viewing glasses were manufactured and later sold along with their patent (USD669522 – 3-D glasses) to the entertainment enterprise. The scientists who created them mentioned that many paintings by the artists Vincent van Gogh and Paul Cezanne depicted stereoscopic images when regarded through their glasses. Immanuel Kant laid the ethical foundations of the Electromagnetic Golden Age of Danish Science, the truth seeker of technological know-how. He and the logician Emmanuel Levinas had identified Plato’s look for a creative ethic as an asymmetrical electromagnetic imaginative and prescient belonging to the creative mind.


Dali’s passionately felt inner stereoscopic artistic suggestion has been seen and measurable as an evolutionary process. This fact warrants the essential attention of philosophers of artwork that Scholle endorsed. Asymmetrical electromagnetic visual observation, now well-known, shows that artists worldwide, for the twenty-first Century, unconsciously paint plenty more dramatic 3-D stereoscopic photos than artists all through recorded records. The important interest in using philosophers of art will involve overcoming the severe lifestyle surprise of medical technological know-how being upside down utilizing the brand new stereoscopic attention. This is ethically preferable to the entertainment enterprise ignoring it.

Eminent epidemiologists have mentioned that accelerating the economical manufacture of stereoscopic 3-D information and verbal exchange devices has brought about a dysfunctional 3-D international epidemic. This trouble was summed up in an MIT Technology Review by David Zax on July 29, 2011, entitled, Does 3D Hurt Your Eyes? Yes, Says Science – Now, how will we fix the stereoscopic mess we’ve ten ourselves into? Zax refers to a paper posted in the American Government’s National Institute of Health’s Medical Journal of Vision, July 21, 2011, in which it states, “The paper almost treats 3-D like a strain of a few viruses that can’t be contained, most effective handled. The assumption appears that three-D is here to live and that as accurate epidemiologists, we must do what we can to mitigate the damage it inflicts.”


The natural evolution of stereoscopic inner vision and the stereoscopic epidemic explains Nietzsche’s ‘two spirits of artwork,’ mentioned by Scholle. The above-noted lifestyle shock embraces the identical hassle that C P Snow attributed to the functioning of mainstream science’s attitude. Einstein’s governing ‘Premier law of all the sciences,’ the well-known warmness dying regulation, is now obsolete know-how of the second regulation of thermodynamics, which incorrectly sentences all existence within the universe to frozen extinction. Quantum organic most cancers research’s living records flow contrary to 2d law thermodynamic warmness-loss electricity.

Isaac Newton considered mechanical first cause standards a “pretentious hypothesis.” Although Einstein harbored doubts about quantum mechanics’ infallibility, his know-how of the second regulation, primarily based upon mechanical good judgment, can now not be considered the most advantageous law of all the sciences.

In the second edition of Encyclopaedia Perthensis or Universal Dictionary of Knowledge, Volume 14, revealed in Edinburgh through John Brown in 1816, Newton’s first principle of good judgment causing gravitational pressure has been quoted underneath the access ‘Mechanical’ on page 118. Newton most emphatically said that the cause of gravity isn’t mechanical. Under the access, ‘Mechanically,’ he verified that mechanical gravitation first causes ideas to be pretentious. This record is quoted from Newton’s posted 28th Query Discussions within the second edition of his Journal, Opticks. Newton based his denunciation of the mechanical first principle of common sense upon the paintings of ancient Greek scientists, “… Who made a vacuum and atoms and the gravity of atoms the primary principles of their philosophy tacitly attributing Gravity to some other purpose than dense remember.”

Whether Newton turned right or wrong is irrelevant. Quantum mechanics and its offspring cannot supply the first motive principle of common sense derived from the fake assumption that Newton held gravity to result from the mass of gadgets in the area.

This genuine argument reveals that Science is growing to become upside down. It correlates with Snow’s idea that contemporary Science does not communicate approximately evolutionary organic processes, as it has no insight into the true nature of the second law. The absence of scientific synergistic conversation inside mechanical and biological speak calls for considerable evidence to be furnished, specifically regarding the technique of internal stereoscopic evolution.

The Proceedings of the National Academy of Sciences of the US of America (vol. A hundred and one no. 27, 2004) protected the paper, Binocularity and Brain Evolution in Primates. It stated that although stereoscopic imagination and prescient in primates are extraordinarily complex, their “evolutionary purpose is unknown.” Conversely, The British Medical Journal, on August 6, 1953 ( vol 2, difficulty 4831), posted the paper Evolution of Binocular and Stereoscopic Vision in Man and Other Animals. In its conclusion, the question is whether complicated internal stereoscopic vision within human thoughts will ensure human survival or be used to ruin civilization. This paper caused further in-depth research and discovery of the significance of big human survival neglected through mainstream technological know-how. Scientists such as CP Snow, the Nobel laureate Szent-Gyorgyi, and Buckminster Fuller realized that this dysfunctional clinical research component could cease until rectified.

The stereoscopic research of the British scientists remained isolated from mainstream Science until 2012, when it became fused into quantum biology with the aid of Professor Massimo Pregnolato and Professor Paolo Manzelli, recipients of that year’s Giorgio Napolitano Medal, provided on behalf of the Republic of Italy. Together with the Italian artist Roberto Donati, they linked science-art research in Australia to their Italian quantum biology discoveries, which were an integral part of the 21st Century Renaissance, a rebirth of the historical Platonic Greek science for moral ends.

Also, in 2012, the physicist Guy Deutscher’s ebook of the year, Through the Language Glass, upgraded the discarded 19th Century evolutionary linguistic color belief theories of the British Prime Minister, William Gladstone, and the German logician of organic technology, Wolfgang von Goethe. The resulting neurological Science became well-matched with the findings of Australian-Italian Science-Art quantum biology studies. Furthermore, the evolutionary process of unconscious artistic instinct, observable although asymmetrical electromagnetic stereoscopic glasses supplied for vital optics studies, expanded upon the usage of optical mathematics in the 1980s. The dimension of the lifestyle pressure governing seashell boom and development through area time, reprinted using the sector’s biggest technological research institute, IEEE, in 1990, as a critical 20th Century discovery, is recorded within the online ebook, C P Snow and the NASA Excessive Energy Project.

Dali dismissed Descartes’ science studies axiom, “I assume consequently I am,” writing in favor of Freud’s first precept, the “Joy of Life” paradigm. Platonic moral and emotional first-cause ideas were related to the nature of infinity by using many philosophers of technological know-how together with Newton, Leibniz, and Georg Cantor. Cantor’s mathematical theories now uphold the maximum of current technological know-how. However, his concept of ‘actual’ infinity completely disillusioned the cutting-edge clinical mind, governed by an out-of-date knowledge of the second law of thermodynamics for many years. That regulation led to the evolutionary belief that the residing process must flow toward extinction. Within this mindset, the idea that life may want to probably evolve towards infinity by embracing limitless fractal common-sense technology would appear to be impossible; one of record’s most famous mathematicians ended up being the most detested one for his relatively contentious paradigm, “The fear of infinity is a form of myopia that destroys the opportunity of seeing the actual countless, although it in its maximum form has created and sustains us, and in its secondary transfinite forms happens all around us and even inhabits our minds.”

In Beyond Infinity: Georg Cantor and Leopold Kronecker’s Dispute over Transfinite Numbers, the writer Patrick Carey wrote that the mathematician David Hilbert, well-known for his improvement of Hilbert area, primary to the inspiration of useful evaluation, wholeheartedly supported Cantor’s paintings. He defended it by claiming it became “nothing much less than the greatest product of mathematical genius and one of the perfect achievements of purely intellectual human activity.” The writer of Brian Filling Curves, Jeffery Ventrella, researcher of countless obstacles of fractal curves, wrote that Hilbert’s paintings were about one-of-a-kind kinds of infinity, beyond mainstream technology, within the especially vilified Cantorian feel.

The human mobile adjusts its geometrical form when it’s poised to transmit first precept reason information as it divides itself into countless fractal expressions. In his 2009 article, The Human Genome in 3 Dimensions, Brandon Keim gives the highest decision photograph ever of the genome’s 3D structure at that essential moment. Its fractal form and now not simply its DNA content transmits health statistics in a way “which remains largely unexplained through traditional” genomic technology. The cellular employs a geometrical form belonging to the Hilbert curve circle of relatives in mathematical terms. Georg Cantor had very well researched the Platonic Greek Science that Newton saw as an appropriate authority on first cause principle logic, functioning inside their limitless universes.

We can now explain approximately Kant and Levinas’s asymmetrical electromagnetic ethics in a more friendly manner, especially to reveal the way to reap first reason concepts regarding the character of dysfunctional carcinogenic increase and improvement. They agreed with Plato that traditional art becomes unethical. This can be defined by the spirit of Greek art being greater with the aid of the lifestyle of the Roman Empire. The Roman Colosseum hailed inside Roman tradition because it was the epitome of Greek art, wherein the arithmetic employed in its production was used to construct stunning aqueducts, wearing sparkling water to the town of Rome. This became touted as artistically advanced to the artistic construction of vain Egyptian pyramids. We can argue that the Colosseum’s Science-Art shape, used to degree sadistic acts of murder for the population’s enjoyment, changed into an unethical art shape. This dysfunctional tradition of Science echoes the cause of the global stereoscopic 3D epidemic of difficulty for epidemiologists.

The three-D virus of the situation to the epidemiologists is transmitted to the human thoughts through an inventive collaboration with contaminated mathematics. This virus has emerged as an incurable epidemic through the worldwide acceleration of information and communication devices. The virus seems to be a stress of the mathematical dysfunctional reason placed into poker machines, in which aesthetically fascinating sounds and coloration pics can bring about a heroin-like dependancy, compelling some humans to play themselves into a kingdom of bankruptcy. Vast governmental revenue from legalized poker machine gambling echoes the structure of the global inventory market, in which the world debt of 200 trillion bucks cannot be paid.

The functioning of residing cells as an electromagnetic unit is well understood, and its related ethical nature may be considered to belong to a limitless common evolutionary motive. Nietzsche’s traditional understanding of the spirit of art is limited to the glide of carcinogenic warmness and death common sense. Living statistics can manage its way via the infinite geometrical form of the mobile poised to divide itself. However, the glide of heat loss of life energy, flowing within the contrary course, can contribute no relevant facts regarding that system. However, Dali’s stereoscopic technology intuitions are sympathetic to the spirit of the electromagnetic stereoscopic first motive, non-carcinogenic information, transmitted to the daughter mobile as a primary motive for good judgment communication inside the evolution of emotional attention.

At the second cellular division, its countless geometrical shapes do not permit the traditional spirit of artwork to predominate inside the human evolutionary method; however, it utilizes one associated with numerous stereoscopic internal imaginative and prescient.

The creator of Living Cells are Electromagnetic Units, Dr. Riejo Makela M. D., has spent an entire life arguing that “By the usage of the closed-circuit structures [obeying obsolete carcinogenic heat death law] when analyzing dwelling cells, the scientists of today reject the obligatory life of magnetic fields with electric fields.” He argues that knowledge of the first cause of most cancers increases within this attitude, and development is averted. He is one of many scientists who have pointed out that traditional mathematics cannot explain the first reason standards are concerned with fixing the problem of how, after mobile division, both cells are equal.

Dali’s stereoscopic theories can appear to be associated with an intuitive Greek logic approximately first principles, a lot the same as the New York Library of Science in 1957 published the ebook Babylonian Mythology and Modern Science, which said that Einstein derived his principle of relativity from the mythological mathematical intuition belonging to Babylonian culture. In his Science-Art Third Culture, C P Snow modified each of Dali and Einstein’s intuitive origins, in which 21st Century quantum mechanics’ evolution of stereoscopic imaginative and prescient later became a rigorous basis for the new upside-down Science. Snow’s Science-Art theories, mainly different from conventional, unethical Science-Art common sense, transposed Newton’s first precept of good judgment and Dali’s emotional intuitions into probably sensible technological factors of the abovementioned Deutscher linguistic color notion theories.

In 2004, Harvard University, Massachusetts University, and the Royal Danish Consulate held a global symposium to explain the sector’s social importance of the electromagnetic Golden Age of Danish Science message. They mentioned that it had been primarily written in Danish and no longer translated, making it “invisible to English scholarship.” This article is an try to assist the super upside-down mainstream science to synergize with C P Snow and Buckminster Fuller’s human survival Third Culture, within the name of Utopia or Oblivion. The 2013 discovery that the junk DNA helix communicates health and inlsynergizingcords to DNA and is considered to be using an inner stereoscopic 3-D language is now vital.

Professor Robert Pope is the Director of the Science-Art Research Centre of Australia, Uki, NSW, Australia. The Center aims to initiate a second Renaissance in technology and art by balancing cutting-edge Science with more creative and feminine technology. More data is available at the Science-Art Centre’s website: http://www.Technological know-how-art.Com.Au/books.Html.

Professor Robert Pope is a recipient of the 2009 Gold Medal Laureate for Philosophy of Science, Telesio Galilei Academy of Science, London. He is an Ambassador for the Florentine New Measurement of Humanity Project at the University of Florence, is indexed in Marquis Who’s Who of the World as an Artist-logician, and has received a Decree of Recognition from the American Council of the United Nations University Millennium Project, Australasian Node.

As an expert artist, he has held numerous university artist-in-residencies at Adelaide University, University of Sydney, and the Dorothy Knox Fellowship for Distinguished Persons, Dunmore Lang College: Macquarie University, and Yangzhou University, China. His paintings have been featured on the front covers of the art encyclopedia, Artists and Galleries of Australia, Scientific Australian, and the Australian Foreign Affairs Record. His artwork may be regarded at the Science-Art Centre’s internet site.